Maria Strani-Potts on www.interpotts.com

 

 

 

 

Read  "The Cat of Portovecchio"!

Maria Strani-Potts' novel, "The Cat of Portovecchio, Corfu Tales" was published in October , 2007 by Australian publishers Brandl & Schlesinger  . The novel was launched at Gleebooks, Sydney, by David Malouf, on 13 November 2007.

http://www.brandl.com.au/index.html

BRANDL & SCHLESINGER

Brandl & Schlesinger, established in 1994, is an independent Australian publisher of quality writing with many award-winning authors: "Our commitment is to publish a culturally diverse list that challenges and provokes. We publish a literary list of distinctive fiction, non-fiction, biographies, the best of Australian poetry, academic journals, translations and visual arts."

 

David Malouf launches "The Cat of Portovecchio" at Gleebooks, 13 November 2007:

"Maria-Strani Potts takes us inside a whole world, lovingly created, that is like no other we have been invited into; but with an eye that can be savage as well as loving. Just when we think we know some of these characters, and feel comfortable with them, too comfortable in fact, she catches them for us in a new and altogether less easy light...She has the writer's eye for detail: for the small, unnoticed aspect of a thing that makes it immediately alive to us; the writer's sense of pace, that makes time, and room in the writing, so that everything finds its place; and the writer's unsparingness that makes truth more important to her than any desire to please."

"Tales of sun-drenched life in Corfu are blended with authentic recipes in Maria Strani-Potts' novel, The Cat of Portovecchio...each of the 10 chapters has a recipe blended into the narrative. 'I wanted to give people a sense of what it was like in the 1950s and 1960s... when everything was easy and beautiful", she said.' Wherever she is in the world, Corfu is always with Strani-Potts."

"Flavours of Corfu", The Wentworth Courier, 19 December, 2007

All the elements

THE WEEKEND AUSTRALIAN

Maria Strani-Potts reflects on the sharply defined seasons on the Ionian island of Corfu | March 01, 2008

AUTUMNAL storms are spectacular in Kerkyra (Corfu). They start with a mild, refreshing wind, which is welcomed by everyone in the humid heat of the season. Slowly and steadily they build momentum.

First the sky turns a pale silver-grey, then it deepens and darkens. The branches of the trees sway and the open window shutters start banging. At any moment they might come unhinged. This seldom happens, at least not because of the storms.

Once, in the autumn of 1943, the shutters and the buildings to which they were attached did crash to the ground. For 10 days the Germans bombarded the island. They caused such extensive damage and devastation that it took years to put everything right. Where the old buildings once stood, open craters formed, filled with their own sad ruins of dirt and rubble. Pepper trees grew and blossomed, and children played hide-and-seek there. The inhabitants still lament this senseless destruction and hate Nazi Germany and Fascist Italy for causing it.

Like other places in the world, the Old Town of Kerkyra didn't escape the ravages of World War II, yet some elements of its ancient Venetian style remain and are resilient in the face of all weathers. Ferocious storms, regular earthquakes, blistering sun and damp heat, even snow have failed to spoil this magical little town. The buildings that the war didn't touch, buildings as old as the history of Europe, still stand tall and brave.

Unfortunately, nobody spends money or time on maintaining them. There have always been other priorities. In countries where health and education are luxury commodities, who will plan the careful redecoration of a building that can't really suffer from the lack of social services? Three, four and five-storey houses appear wobbly and hazardous, with the odd tile or brick hanging precariously.

But since nobody's head has been crushed by a falling tile, and since the cost of maintaining these buildings is otherwise minimal, people aren't at all anxious about them. If anything, the old buildings are regarded like precious if neglected members of a large extended family.

On the whole, the inhabitants of Kerkyra hate spending time indoors. They see no point in it. Instead, they make full use of the elegant town squares that act as lavish communal sitting rooms. There the servants -- that is, the waiters -- carry trays of delicacies back and forth.

People can stretch out and read the newspapers, hear all the gossip and see their acquaintances casually, without any obligations or long-term commitments to reciprocal hospitality, and without having to clean or tidy up afterwards.

The cafe armchairs in the squares are the best and most effective psychiatrists' couches the world has to offer. Under the shade of the lime trees, family problems tend to find their solutions. For hours on end hardships are discussed among friends until they have spilled right out, leaving everyone's chests lighter and happier. Thanks to such philosophical discussions, and with the aid of strong coffee, double ouzos, freshly squeezed orange juice and much more, problems come to seem trivial. They can often become the subject of jokes.

Houses are merely places to sleep in, places where one can have a bath or go to the lavatory, places to protect the occupants from the darkness of the night and the bad moods of the weather, places in which to make love in private or where possessions can be stored.

The buildings of Kerkyra remain unrepaired, unpainted, rickety, flaking, but still charming and precious. Everybody looks at them with adoration and the only time they turn their backs and run away in fear is when the giant Enceladus, buried by the goddess Athena, struggles to break out, shaking the island mercilessly. When Aeolus, the ruler of the winds, blows with all his might, with or without torrents of grey rain, everyone runs to find shelter under the arches of the buildings, laughing and enjoying the experience. They know that the island will not sink into the depths of the Ionian Sea.

In September, winds arrive with graceful might. The cafe armchairs and the sun umbrellas blow away. The trees have no choice but to turn and bow in the direction in which the strong, warm winds are forcing them. Sometimes the trees break and collapse, unable to resist the insistent power of the winds. Lightning flashes in the sky; there are bombardments of thunder.

The drinking of coffee, ouzo and orange juice is disrupted; drivers are afraid that the wind and rain will blow their cars off course, yet they carry on with their journeys. These downpours are not just heavy rain. Billions of leaves also fall from the trees, not all of them autumnal copper-yellow. Many are still green and fresh, since autumn always arrives suddenly. There is no time for a slow metamorphosis. Children scream among the tumult of leaves and adults run to protect their sons and daughters.

Such commotion focuses as much energy as the wind that creates it. Then the rain falls fast, heavy and thick. The storms are not tropical but they are similar and often worse. Their force seems to thrust in from all directions. The blue sea turns a dark frothy grey.

Ferries remain tied up in the disturbed harbour as business slows down. Every year the municipality is taken by surprise and is unprepared. Half the drains are blocked with leaves and rubbish. The other half have been blocked intentionally.

During the summer, pieces of cardboard are placed tightly on top of these square holes, to stop the distinctive smell of Kerkyra's drains escaping into the streets. The town always floods.

Nobody minds; every year it's the same. Bored by the endless hours of summer swimming, the island's people welcome the new season. A change of routine invigorates them; it gives new direction to their interests and makes them less lethargic.

At the time of the first storms, the schools reopen. Children, some more eager than others, turn up with new schoolbags. The swallows have not yet flown south, and the cheese-pie sellers are looking forward to providing plenty of snacks at breaks, to boost their meagre incomes.

The storms last four days at the most. Then summer reappears. It is hot, humid and wonderful again. The cicadas become noisier than ever. The swallows shriek louder. The empty beaches are slowly invaded again. The sea, gleaming in the orange sun, becomes light blue and lukewarm, making swimmers feel completely comfortable and secure. They do not swim purposefully as in the summer months; they just take dips and float, looking up and around in awe at the tall, pinkish, rocky mountains. It seems as if Albania could be reached just by stretching out a hand.

This is an edited extract from The Cat of Portovecchio by Maria Strani-Potts (Brandl & Schlesinger, $26.95).

"Evocative and charming...her extensive knowledge of Greek culture informs these fictional tales featuring the widowed Tony, his daughter Louisa, the philandering island priest Father Anthony and the object of his longing, the beautiful Zoe. The cast of characters are thoughtfully created, but it is the author's understanding of the subtleties of village life- the rhythm of the sea, religious ceremonies and unspoken rules- that is most appealing."  Book Review, The Sun-Herald, 13 January 2008.

 

    "Nourished by, and full to the marrow with delicious Corfiot spirit,  but also with caustic humour and satire,

                                                                      in "The Cat of Portovecchio, Corfu Tales" Maria Strani-Potts reveals her intimate knowledge

                                                                      of  the Corfiot mentality, customs, idiosynchrasies and ways of thinking .

                                                                      At first glance it's a tragic story enriched with comic elements, but Maria Strani-Potts also offers us a

                                                                      philosophical framework for the tragic social events which have an immediate impact on the inhabitants of the island"  

                                                                                   Sophia Ralli-Kathariou ( Kosmos Newspaper, 7 December 2007)

"But now comes Maria Strani-Potts' captivating Corfu tales, The Cat of Portovecchio and I eat my words- not a bad image since, if your appetite for the writing flags (which it won't), the stories themselves are laced with scrumptious local recipes. It's about a Corfu fishing village...Read it, it'll change your life and the way you love (and live) the Corfu idyll. Grab it soon because it'll sell out fast and you don't want to be left out of the fashionable chit-chat. Also, get yourself copies for the spitaki, for the London townhouse- and, hey, one for your posh QueasyJet visitors to ease the tedium of rubbing shoulders with us proles."  ISLAND (Corfu's Lifestyle Magazine), March/April 2008.
 

Maria is currently in Australia. Maria's appearances in Sydney:

2 November: Mosman Festival

3 November: Red Cross event, Stamford Plaza

7 November: Ashfield Library

13 November: Launch, Gleebooks (launched by David Malouf)

15 November: Ryde Literary Festival

17 November: New South Wales Writers Centre event

23 November: St Ives Library

27 November: Hornsby Library

7  December, AHEPA (Australasian Hellenic Association) AHEPA Headquarters, 394/396 Princes Highway, Rockdale NSW
 

13 December, Dymocks, 424 George Street (signing)

 

17 January Thursday Stanton Library

 

CORFU:

6 February at Durrell School of Corfu

 

LONDON:

29 February, Friends' Room, Hellenic Centre

 

 

 

"THE CAT OF PORTOVECCHIO, CORFU TALES" 

Maria Strani-Potts was born and raised in Corfu. Although written in English, "The Cat of Portovecchio, Corfu Tales" is about basic Greek sentiments, instincts and passions.

The story is based in an old fishing suburb of Corfu Town. The sea and the Greek landscape play an important part in the story. So does an abandoned black and white cat. There are many Corfiot recipes in the book. They appear naturally, as part of the story. The story takes place between 1949 and 1957, a time of considerable political upheaval in Greece.

Corfu Tales is a refreshing work of fiction as it’s written ‘from the inside’, by a native islander, not by an outsider. A Greek-American critic, writer and philosopher, D. Toteras, has written:

BRILLIANT...BRILLIANT... it has everything... it’s like eating a full 30 course dinner; she's like a river that has burst its banks, everything is included in her work and she's not afraid to put it down... no matter whose toes she steps on. There is much more to the work than meets the eye.”

Gunilla Sandin, Head of the International Seminar Programme of the Gothenburg International Book Fair, has this to say:

“When I read “The Cat of Portovecchio,Corfu Tales”, I was immediately drawn to the apparently laid-back way of life of the characters, but it is boiling under the surface in the little village! Every character has a story to tell and very often their lives cross. You will find passion, lost love, a child missing her mother, grown-ups caught up in their own sorrow, incapable of helping others, a priest with bad intentions and secrets ready to be unveiled- if you know where to look. And a lot of strong women! It is also a book full of warm and understanding people who take care of each other and who are doing the best they can with the life God has given to them. The many original recipes and, most of all, the cat Mamee, give an unusual and enjoyable angle to the story….It has that little ‘extra’. I immediately visualised it as a film. …This is a story that will attract many readers and I also think that the timing for this kind of book is right. We need well-written stories with a universal message.”

"In The Cat of Portovecchio Maria Strani-Potts has produced a genuinely charming book...The charm consists in the book's wholeness of view...the writer's generosity in letting everything in; her allowing a place for all sorts of ordinary human follies and indiscretions, for bad humour as well as good, but with a  sense that what all this makes up is a picture of the way we are."  David Malouf (at book-launch, Nov. 13, 2007).

 

Other works by Maria Strani-Potts (contact the author for further information):

An Ethiopian Affair. A novel in English, set in Ethiopia in the early seventies.

The Children of Others. A radio play in English. Three diplomatic wives: the impact of foreign wars- and their husbands' careers- on their lives and families.

The Pimping of Panorea (A Fairytale for Adults): A novella in Greek about greed and the devastation of the environment on a Greek island.


About Maria Strani-Potts

Maria Strani was born in Porta Remunda, Corfu, Greece in 1946. Before she married, she worked at the National Bank of Greece in Corfu and at the Ionian Bank Ltd in the City of London. She has a degree in Social Science from the School of Slavonic and East European Studies, University of London.

Since 1969 she has lived and travelled overseas with her husband, who worked for the British Council. Maria has lived in Ethiopia, Kenya, England, Greece, Czechoslovakia, Sweden and Australia, where she spent seven years, based in Sydney. She has also spent extended periods in China, Belgium and the USA.

Maria was trained as a language teacher by the British Council, Greece, and by the Australian Migrant English Service in Sydney. She has taught English as a foreign language to migrants in Australia and Greek as a foreign language in Australia and other countries. She is a committed quilter and textile artist as well as a writer. She divides her time between Corfu and London.

Maria’s writing, although determined by her Greek upbringing, is aimed at readers who are willing to explore outside their national literary borders. Maria is an active member of the Red Cross in Corfu, Greece and works in its Social Welfare programme.  She spent June 2006 at the Baltic Writers’ Centre in Visby, Gotland, completing her new novel on life in Ethiopia before and during the revolution and the dethronement of Haile Selassie.   

For 2004 quilting project see www.quiltingzagori.com

 

Quilts by Maria Potts